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Whitesnake Copyright 2020 Rock Download Design by ThemesDNA.com Scroll to Top. Lombardo was quoted as saying there was a fire on all the records, but that started dimming when South of Heaven came into the picture. Sat on my ass, looked at girls, tried to chat to them, didnt bother, went back to sit on my ass again. Now Ayara, King, Hanneman and Lombardo did have enough good manners to offer me sustenance during these long term sojourns away from like minded life forms, South of Heaven best of all making a mockery of puritanical bigotry while shaping grooves any raw soul-meister would be honoured to call their own, Silent Scream sinister yet metaphysically open to engage with some pretty serious social questions, Read Between the Lies another in Slayers arsenal that hammered home their musical prowess while disarming those who judged before listening, if they even bothered to listen. Trash instincts fuse Slayers natural resistance to apathy, much polished grooves begin to assert themselves throughout, Behind the Crooked Cross asked serious questions of those who shot Slayer down with scurrilous lies while engaging in greater profanities themselves. An album for mind and body alike, an eye-opener for kids who just couldnt connect with feeble mascara laced rock. ![]() Published. How exactly do you follow up one of the most extreme and critically praised albums in the history of metal That was the challenge facing Slayer after the success of their infamous Reign in Blood release in 1986. While it was not the Slayer way to sit down prior to writing an album and discuss what direction the band should take, thats exactly what they did in this instance. Sensibly, the band was smart enough to realise that trying to outdo their previous outing was likely to end in failure, as theyd squeezed every last drop of intensity and velocity out of their collective awesomeness for that recording. The only way to avoid endless comparisons to Reign in Blood was to slow the tempo down and create a completely different album without alienating their fans. No easy task and it looked like it was going to get a heck of a lot harder when Dave Lombardo quit the band one month into the bands US tour at the end of 1986. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid which shows just how hard it is to make a living out of playing metal music, even when you belong to one of the very elite bands in the scene. Slayer South Of Heaven Rar Full Length StudioThankfully, Lombardos wife was able to convince him to return to Slayer in 1987, resulting in an unchanged line-up when it came time to record the bands fourth full length studio album. While shifting gears would require slightly different writing processes, it didnt necessitate changing everything that made Reign in Blood so special. Rick Rubin once again produced the album after being hugely responsible for the successful development of the bands sound. The crystal clear clarity of the production remains with the only noticeable difference being that Lombardos drums have been given far greater emphasis, which works perfectly well given the more measured tempo of the new material. Larry Carroll was also asked to design the cover artwork for a second time after his controversial yet striking effort for Reign in Blood. He evidently relished the opportunity to paint another morbid vision of satanic horror, this time surrounding a skull and inverted cross centrepiece with a collection of bizarre devils and tormented souls. The lyrics continue to alternate between war, satanic imagery and the darker side of humanity, but this time King took a step back while Araya got involved in the writing for the first time. This switch resulted in less focus on immature evil subject matter and more on the human psychology and studies of warfare that would become more prevalent in Slayer albums over the next two decades. Many fans were not initially convinced, perhaps disappointed that the band had not attempted to take metal to even further extremities. The critical response was just as mixed, with some praising Slayer for not repeating themselves and still managing to create a disturbing and powerful album, while others labelled it a failure, suggesting the band had lost their edge. Over time, many of these naysayers would come to change their mind, as South of Heaven gradually dug its way under their skin, with numerous tracks including the title track and Mandatory Suicide becoming part of the staple live set. The band themselves have often suggested that South of Heaven is well down the list of highlights in the Slayer discography. King describes his performance as his most lacklustre and labels the album one of his least favourite Slayer releases.
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